I hate calling anyone a “rising star” because it sounds so incredibly corny, but due to a complete lack of imagination on my part and since I think that the phrase describes Justin Bleep’s work in Super Human Resources perfectly, we’ll run with it. Beyond being a hilarious comic book, “Super Human Resources” breaks some new ground in the art department as well. Justin Bleep’s illustrations are to say the least, a hell of a lot of fun. He plays with, and designs characatures of our most beloved classic comics characters and gives them an energy and style that is his own. Justin Bleep took some time out of his hectic schedule recently to answer our 5 questions, and we greatly appreciate it. Thank you Justin.

SHR Official Site: www.superhumanresourcescomic.com

Tell us about your comic. What’s it about? Why is it cool?

SHR (Super Human Resources) is about having fun with the medium. Its something you can pick up, read, and laugh—and at the same time really get into the characters and their situations. It’s dispensable entertainment with some indispensible qualities.

Who are your biggest influences?

I think people see a lot of non-comic influences in my work, and though my style is of the Skottie Young-Humberto Ramos-Francisco Herrera era, it is a direct result of my blending of contemporary DJ music culture with the comic’s medium.

On a more personal note: how did you end up where you are today? What lead you to comics?

About 5 years ago I came back to the comic book industry, bringing with me the culture that had previously enveloped me—the American rave and DJ culture. I immediately started a project merging the two industries. The result was my self-published title, Brick City Bunch. Music was a very inspiring medium, but ultimately I missed holding my work in my hands—there is something to it. That feeling is why I came back to a printed medium.

What advice would you give to someone trying to break into comics?

Do something different with the comic book format. And have your own style. Err, maybe that’s what I would like to see people do—I’ve seen too much of the same thing already.

What’s your all-time favorite movie?

Forbidden Planet, from 1956. It’s the epitome of science fiction.

Besides being a great guy and the best kind of comic fan-boy, it turns out that Ken Marcus is also a fantastic writer with a knack for finding the humor in our modern day comic book heroes. Ken’s comic “Super Human Resources” has not only had it’s first gloriously funny ark but is also available now in collected form (Not really Calm or Cool Just Collected: Super Human Resources Season One). In honor of Ken’s accomplishment we asked Mr. Marcus if he would answer our “5 Questions”; he accepted. If you’d like to enjoy a fun filled Superhero romp, go pick up a copy of the “Super Human Resources” trade paper back before the next season begins. You’ll become an instant fan, I promise.

1. Tell us about your comic. What’s it about? Why is it cool?

I’m the writer of Super Human Resources. It’s about the HR department of the worlds’ mightiest super team. It’s about all the folks behind the comic panels that keep your favorite heroes up and running. They fill out purchase orders, answer phone calls, administer health insurance and clean up conference rooms after crossovers go horribly wrong. It’s basically like the office you work at, with all the same kinds of morons. Except these morons have super powers.

2. Who are your biggest influences?

I’m a big Simpsons fan. That’s probably the biggest for me. I also love Venture Bros, Frisky Dingo and Bloom County.

3. On a more personal note: how did you end up where you are today? What lead you to comics?

My main career is in advertising. That’s how I support myself and my family. Comics are just a passion. I’m a long time fan that, like many, decided to jump in the deep end of being a creator. I’m under no illusions that I could make a career of it. I just want to stay in our weird, dysfunctional Super Human Resources playground and hope a few people enjoy it.

4. What advice would you give to someone trying to break into comics?

Do what you love. Don’t try and follow a fad, ala zombies or vampires. Tell the story you’ve always wanted to. Look at the market and see what kind of story isn’t being told. And plant your flag there. And if you’re trying to do it for money or fame, you’re in it for the wrong reason. Because it’s highly unlikely, you’ll find either. Do it because you have no other choice but to.

5. What’s your all-time favorite movie?

I’ll give you five, in order. Blade Runner. Caddyshack. Napoleon Dynamite. Borat. Ghost in the Shell.

www.superhumanresourcescomic.com

What happens when the Earth’s Mightiest Heroes are having issues with their 401K plan? Who does your favorite Super-dude talk to when he realizes that his computer keyboard is not ergonomically correct? And the biggest question of all is: who does the hiring? Well, the creative team of Justin Bleep (Art), Ken Marcus (writing), and Jacque Nodell (lettering) have decided to answer some of these pressing questions with the new comic “Super Human Resources”.

After reading Super Human Resources we decided that a review of this book just wouldn’t be enough and since they were already answering questions, we thought, maybe they would take a few minutes and answer a few of ours, and guess what? They agreed.

Tell us about “Super Human Resources” and where the original idea came from?

Ken: I think the name just popped in my head. And the first issue kinda just wrote itself. I know there are similar concepts out there. Both The Office and superheroes are popular. It ain’t exactly rocket science to smoosh them together. But I like concentrating on the normal people versus the super heroes. All the people that keep things up and running. I felt like that was a different spin I hadn’t seen. You know Superman doesn’t have time or the inclination to fill out purchase orders for all the crap in the Fortress of Solitude. Continue reading »

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